Gigantic abandoned amusement parks and abstract commercial displays are hidden somewhere between foggy mountains and windy fjords. From these places, a mysterious colorful tsunami appears, flooding the majestic landscape underneath it. (...)
directors | Mihai Grecu and Thibault Gleize |
If you try, you'll succeed in the end. (...)
director | Irene Terrón |
cast | Pyrrhocoris Aptersus |
I'm moving out of my house, again. I watch routines disappearing and Valentina who lives with me. I cross cities, relationships and memories while I'm packing. This film is a passing, through myself, towards an habit so old as the world. (...)
director | Ygor Gama |
director | Julieta Grana |
sound designer | Florencia Rovlich |
cinematographer | Francisca Saez Agurto (Maldito Robin) |
editor | Julieta Graña |
production | Gris Calmo |
"The cinema is the joy of my life, otherwise there is nothing else!”. When Mr. Siebzehnrübl talkes about the cinema, he would squint his small blue eyes and raise his bushy eyebrows into gray-and-white sickles. (...)
director | Tuna Kaptan |
cinematographer | Julian Krubasik |
sound designer | Nina Wesemann |
editor | Tuna Kaptan, Felicitas Sonvilla |
The never-ceasing repetition of polite gestures. A micro-universe is created in 4 sets of 11 pieces of paper with hand drawn animated cycles. (...)
Director | Juan Camilo González |
Does it exist, the monster under the bed, the bogeyman in the closet, the "Wolpertinger" in the Bavarian mountains, the dragon from midieval times, the Harpy from Greek mythology or Grandma's ghost who howls in the basement? And what do old statues do during the foggy night? Animated mythical creatures float through the park. Static drawings turn into animation into drawing. Strange nightly landscapes make space for ghosts. Statues become alive ... A film, which deals with the inbetween space between mysticism and phantasy, a little bit creepy, a little funny. And somehow a little bit like the drooling monster under the bed which kept us awake as a child... (...)
director | Marte Kiessling |
When I was little, I wanted to be a robot. But I never got lucky. Instead, I became a panda. (...)
director | Robert Ly |
cast | Sacha Brodeur, Xyomara, Sam&Panda |
One day, on one bench, in a neighborhood of immigrants- A man's absurd attempt to create a simple human connection with three strangers: woman, man and a dog. Dance of the most basic human condition. (...)
director | Oren Gerner |
music composer | Benny Andersson |
cast | Alon Sahar, Rosheda La Bella, Gadi Miron |
A pillar of cloud is a manifestation of the presence of God in the Torah. Operation Pillar cloud was an eight-day Israel Defense Force operation in the Hamas governed Gaza Strip, officially launched on 14 November 2012. Looking from the outside of each room, 5 Israeli dancers improvise to the sound played in the background. (...)
director | Maya Geller |
cinematographer | Jan Klein |
music composer | Jonny Zoum |
visual effects | Noam Sharon |
dancer | Sivan Medioni |
dancer | Shai Faran |
dancer | Bar Altshuler |
dancer | Nir Vidan |
dancer | Gili Shaanan |
Alexis, 10 years old, go out of school and run to a shop: a hair salon. He comes in and asks for a shampoo that will live as a sensual experience. (...)
director | Benjamin Charbit |
script | Benjamin Charbit |
sound designer | Guenoun Lionel |
music composer | Pierre Oberkampf |
set decorator | Bulle Tronel, Maxime Mavilla |
cast | Clément Marcelle, Lucie-Eleonore Riveron |
The life of two characters who follows each other beyond the walls. (...)
production | Christian Pfohl (Lardux Films) |
director | Joanna Lurie |
It’s a fine and warm sunny day at a beach in the Trondheim fjord. Laila and Aksel, a couple in their late twenties, are enjoying the opportunity to relax and unwind near the sea. Halvard, an old classmate of Laila’s, happens to be having a walk at the very same place. Although it has been twelve years since they last saw each other, Halvard’s memories seem much more vivid than Laila’s. (...)
director | Pedro Collantes |
cinematographer | Cato Lauvli |
sound designer | Jan Kristian Hagen |
cast | Tor Ivar Hagen, Kathrine Strugstad, Bård Ivar Engelsås |
Erwin is an expert. Nobody knows holes like he does. He identifies them where others only see a stain, he detects life-threatening condition which an amateur overlooks in ignorance. At least in his reality. The reality of his girlfriend looks strikingly different. Especially when both of them are invited to a dinner. Here Erwin is treated unsympathetically when he tries to convince the hosts that a perceived stain on the wall is in fact a dangerous hole. Who is owning reality anyway? And how dangerous can such a hole actually be? (...)
director | Florian Seufert |
cinematographer | George Steffens |
sound designer | Bastian Beißwenger |
producer | Martin Kosok |
cast | Clemens Giebel, Christina Athenstadt |
Short Film Competition 2013
First Jury Prize: YesYesYesYesYesYes by Juan Camilo Gonzalez
Second Jury Prize: 15 Summers Later by Pedro Collantes
Special Jury Mention: Exland by Mihai Grecu and Thibault Gleize
Audience Prize: For it is dark in the hole by Florian Seufert
Photo report from the screening and award ceremony at the Modern Art Museum Erarta 27.06.2013.
We would like to thank the international jury and filmmakers: Irene Terrón, Ygor Gama, Tuna Kaptan, Juan Camilo Gonzalez, Marte Kiessling, Robert Ly, Oren Gerner, Maya Geller, Benjamin Charbit, Joanna Lurie, Pedro Collantes, Florian Seufert, Mihai Grecu and Thibault Gleize.
About the Competition
The competition took place from 1 till 30th of April 2013 and incuded 14 short films, matching our selection criteria: No Money - films made without a budget; No Mumbling - films without dialogue or narration; No Music - films without a music score; No Montage - films made without editing, i.e. filmed in one shot.
We received about 700 applications from around the world, but chose subjects which seemed to be the most interesting and original: a single shot unexpected meeting with a slightly inadequate old school fan (15 Summers Later); a difficult journey of a bug up the tiled wall (Markus); the story of selfless struggle of the young German with invisible but deadly black holes (For it is dark in the hole); a reportage on the crash of crimson in an amusement park somewhere in a parallel dimension (Exland); a documentary about the owner of the last of its kind porn theater from the late 80s (Mr. Siebzehnruebl); a touching sketch of a young man trying unsuccessfully to make friends with neighbors on a bench in the park (Bigfoot), experimental animation about a mad dance of polite gestures (YesYesYesYesYesYesYesYesYesYesYes); the incredible adventures of a boy in a hairdressing salon (Shampooing); a bitter confession by panda, who always wanted to be something else (I Always Dreamed About Being a Robot) ...
by Mihai Grecu and Thibault Gleize2013
Gigantic abandoned amusement parks and abstract commercial displays are hidden somewhere between foggy mountains and windy fjords. From these places, a mysterious colorful tsunami appears, flooding the majestic landscape underneath it. (...)
by Ygor Gama2012
I'm moving out of my house, again. I watch routines disappearing and Valentina who lives with me. I cross cities, relationships and memories while I'm packing. This film is a passing, through myself, towards an habit so old as the world. (...)
by Tuna Kaptan2012
"The cinema is the joy of my life, otherwise there is nothing else!”. When Mr. Siebzehnrübl talkes about the cinema, he would squint his small blue eyes and raise his bushy eyebrows into gray-and-white sickles. (...)
by Juan Camilo Gonzalez2011
The never-ceasing repetition of polite gestures. A micro-universe is created in 4 sets of 11 pieces of paper with hand drawn animated cycles. (...)
by Marte Kiessling2011
Does it exist, the monster under the bed, the bogeyman in the closet, the "Wolpertinger" in the Bavarian mountains, the dragon from midieval times, the Harpy from Greek mythology or Grandma's ghost who howls in the basement? And what do old statues do during the foggy night? Animated mythical creatures float through the park. Static drawings turn into animation into drawing. Strange nightly landscapes make space for ghosts. Statues become alive ... A film, which deals with the inbetween space between mysticism and phantasy, a little bit creepy, a little funny. And somehow a little bit like the drooling monster under the bed which kept us awake as a child... (...)
by Robert Ly2012
When I was little, I wanted to be a robot. But I never got lucky. Instead, I became a panda. (...)
by Oren Gerner2012
One day, on one bench, in a neighborhood of immigrants- A man's absurd attempt to create a simple human connection with three strangers: woman, man and a dog. Dance of the most basic human condition. (...)
by Maya Geller2013
A pillar of cloud is a manifestation of the presence of God in the Torah. Operation Pillar cloud was an eight-day Israel Defense Force operation in the Hamas governed Gaza Strip, officially launched on 14 November 2012. Looking from the outside of each room, 5 Israeli dancers improvise to the sound played in the background. (...)
by Benjamin Charbit2013
Alexis, 10 years old, go out of school and run to a shop: a hair salon. He comes in and asks for a shampoo that will live as a sensual experience. (...)
by Pedro Collantes2011
It’s a fine and warm sunny day at a beach in the Trondheim fjord. Laila and Aksel, a couple in their late twenties, are enjoying the opportunity to relax and unwind near the sea. Halvard, an old classmate of Laila’s, happens to be having a walk at the very same place. Although it has been twelve years since they last saw each other, Halvard’s memories seem much more vivid than Laila’s. (...)
by Florian Seufert2012
Erwin is an expert. Nobody knows holes like he does. He identifies them where others only see a stain, he detects life-threatening condition which an amateur overlooks in ignorance. At least in his reality. The reality of his girlfriend looks strikingly different. Especially when both of them are invited to a dinner. Here Erwin is treated unsympathetically when he tries to convince the hosts that a perceived stain on the wall is in fact a dangerous hole. Who is owning reality anyway? And how dangerous can such a hole actually be? (...)